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George Bradshaw

OLLI Photo Club – GRC Photography

December 21, 2018 by George Bradshaw

Welcome to Get It Right in the Camera (GRC) Photography

Welcome to our Intermediate DSLR Photography course (F102). We’ll be meeting in the Tallwood Annex on Tuesdays from 9:40 to 11:05.

This course is designed for those who attended the 2018 summer “GRC Photography” course. Through weekly assignments we will strive to capture the best possible photo while concentrating on content, arrangement, and exposure of whatever is in the picture space, before the application of any post‐processing. Instruction will focus primarily on use of digital single‐lens reflex (DSLR) cameras. Attendees will be encouraged to use the manual rather than an automatic camera mode. Both technical and artistic intermediate level instruction will be adjusted to the needs of attendees. Class participants will capture at least 20 images each week, selecting their best four photos each week for individualized instructor comment followed by interactive classroom review. The assignment for discussion during the first class will be sent in advance to attendees.

Dan Feighery holds a BS in physics from Saint Joseph’s University in Philadelphia and a master’s in public administration from Golden Gate University in San Francisco.  He has attended photography courses at Northern Virginia Community College and George Mason University.  He founded the OLLI Photography Club and has taught OLLI photography classes.

 

File Naming Convention for OPC Courses

The file naming convention for OLLI Photo Club (OPC) courses is similar to that used for the OPC’s routine galleries:

  • The filename contains two fields: the photographer’s name and the image’s title,
  • The title field of a filename will include up to two elements: the image’s descriptive title, and in some cases, a Photo ID to ensure filename uniqueness,
  • “hyphens”, preceded and followed by a “space” character, will separate the two fields, and
  • The title field may contain “spaces.”

 

The filename format for this course only is

LastnameFirstinitial - Title [ PhotoID ]

The brackets ( “[“ and “]” ) indicate an optional element in the filename.  This optional element is used only to ensure filename uniqueness.  The course’s instructor may require use of a particular form of the PhotoID.

Examples:

          When the title is unique

          SmithJ - Beautiful Trees.jpg

 

          When duplicate titles must be made unique

          SmithJ - Beautiful Trees 1.jpg

          SmithJ - Beautiful Trees 2.jpg

 

          When the camera’s filename is used to ensure uniqueness

          SmithJ - Beautiful Trees IMG_1234.jpg

          SmithJ - Beautiful Trees IMG_5678.jpg

 

          Other filename formats that will not be used in this course

          IMG_1234.jpg
          IMG_1234-Edit-1.jpg
          yyyymmdd-hhmmss.jpg

 

Notes:

The only characters allowed in a filename for this course are alphanumerics, “spaces,” “hyphens,” and, for camera filename elements only, “underbar.”

The “.jpg” suffix is normally appended by your PC’s software.

“PhotoID” is only required when needing to distinguish among multiple photos.

The last three examples are just for information purposes.  They are other typical file naming formats designed to ensure uniqueness of file names, the first being a camera-generated filename, the second indicating the existence of an external photo “editor” such as PhotoShop, and the third a date and time stamp.

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Uploading Instructions for OPC Courses

  1. Create a JPEG (.jpg or .jpeg) photo named according to the "File Naming Convention" specified for the gallery. Note: Depending upon your workflow, you may not want to change the name of an original JPEG file; in this case, change the name of a copy of the original file.
  2. Enter the "upload link" into your browser to show the OPC’s "Upload to ‘Gallery’ ” window.  Note: some courses have a "Sandbox" gallery to practice the upload process. You will receive an email from the instructor with an upload link for a Sandbox gallery (if used in the course) and for a gallery specific to each session of the course.
  3. Drag and drop your photo file(s) into the window using the file manager of your PC:
    1. in Microsoft Windows, the file manager is File Explorer;
    2. in Apple macOS, the file manager is Finder.
  4. Wait until the upload completes and click the "Done" button.
  5. View your images at the appropriate OPC gallery. For example, this course's galleries are maintained at the OPC photo repository (https://olliphotoclubgmu.smugmug.com), and the galleries can be found via the following menu sequence:

          > Galleries
          > Special
          > OLLI Courses
          > "Name of Course"

          For example, the "Name of Course" for the practice gallery (Sandbox) is:

          > "Course name abbreviation" Sandbox

              (e.g., "GRC Sandbox" or "DCF Sandbox")

          And the "Name of Course" for an assignment gallery is:

          > "Course name abbreviation" YYYYMMDD

              (e.g., "GRC 20190122," "DCF 20180918," etc.)

 

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Filed Under: OPC Courses, Photography Club

OLLI Photo Club – HTML Test Page – Themes of the Year

October 29, 2018 by George Bradshaw

Overview • Galleries (See Galleries) • Monthly Themes • Field Trips • Speakers • Projects


 

OPC Themes for 2019

Thematic collections of photographs can help keep conversations about the artwork “on topic.” The collection may then elicit different impressions, identifications of technique, and artistic assessments from each viewer of each photograph. Sharing those impressions, techniques and assessments can be a first step toward improving our technical and artistic skills, as well as helping develop the “art of seeing,” as Freeman Patterson would say.

 

January            Hands. The fun of photography is the ability to tell a story through pictures. The ability to freeze time and capture moments, memories, and images that express emotion and feeling. Though we are often drawn to the eyes of the subject, there is nothing more powerful than the stories that can be told by a person’s hands.

                         As humans we use our hands to talk, weave stories with our hands through pencil and paper, we cry into our hands, use them to show love, and affection, to climb mountains, and to stifle laughter. What more could you ask for when capturing a subject for a photo then one full of chapters ready to share?

February          See Red. We don’t know if Cupid really loves red, but since we’re ambushed with the color in February in celebration of Valentine’s Day, we ought to photograph it. Red is famously one of the most difficult colors to capture authentically on film, especially in natural lighting.

                         Red symbolizes passion, fire, love and anger. In Eastern cultures, it connotes luck and prosperity. Red occurs throughout nature, from dying stars to dying leaves, and humans have evoked its powers for everything from politics to sports.

March               Disappearing Technologies. An increasing number of millennials have never used a landline, worn an analog wristwatch, or mailed a handwritten letter. They do not learn art and design technologies that previous generations took for granted. The scope of digital technology has made many things obsolete, from traditional black-and-white film to the tape cassette, but they have not disappeared completely. In the hands of artists and designers, a bygone technology can take on a new significance. What’s your disappearing technology?

April                 Self-Portrait. It is surprising how many photographers are reluctant to turn the cameras on themselves, but some of the world's most famous photographers have done just that. Using yourself as your model doesn't necessarily mean a seated portrait, but is more an excuse to experiment with poses, costumes, and artistry with the only model you'll ever have who won't complain. It helps to use a tripod and shutter release, rather than limiting yourself by trying to photograph with the camera at arm’s length. You decide how you want to show yourself to the world!

May                   Emotion. One thing that makes a great photo is its ability to convey emotion and thus connect with the viewer. Happiness and joy, sorrow and despair, these are some of the easier emotions as they are universally felt, at one time or another, by everyone.

                         Emotion, or a feeling, is what can bring a snapshot out of obscurity and make it shine. Think of a normal sunset picture from the shores of Hawaii with just the horizon and a bright orange sun dipping low. It’s beautiful for sure and even better when viewed in person. Now pull the zoom back to a wider angle and show a couple in silhouette, sitting on lounge chairs facing the waves and reaching to each other to hold hands. Different people will connect with each photo in different ways, or maybe not at all. Those in a romantic mood will enjoy the photo of the couple and those looking for calm without distraction may enjoy the singular sunset.

June                  Black and White. One of the most common reasons people want to make black and white photos today is because it lends a certain timeless quality to the images. While the “when” and “why” are related, photographing in color and then wondering whether to convert the image employs a very different mindset from setting out and seeing the world in black and white, and then working within those confines. Parameters of a world without color forces you to see things differently, to stretch and work out your photographic eye muscles, and that in turn pushes you creatively.

                         Focus on composition and lighting, the two strongest elements of a black and white photograph. These are important because black and white composition does away with the distraction of color. Suddenly elements within the frame can relate in a way that might otherwise have been throw off because of jarring color.

July                   Abstracts. Abstraction, in general, is a process by which some information is carefully eliminated leaving the parts that deemphasize the object-photograph relationship. For instance, get a sheet of paper and a pen, put your hand with fingers slightly separated, and draw an outline of your hand.

                         You now have just the outline information, the shape of your hand, by eliminating the skin texture, color, depth, form, etc. It has no fingerprints! This is how abstraction in general works, we leave some information behind and keep the parts we want to include in the photograph. The outline you have just drawn is “just a hand” not necessarily your hand, breaking the linkage between the subject and the image drawn.

August             No Meeting Scheduled.

September       Photograph a Stranger. It doesn’t matter what you say to people, the most important aspect of approaching people to photograph tem is being genuine, warm, friendly and calm. People will read your body language before you open your mouth, so if you come off as tense they will probably think you are shifty. If you are not smiling, people are going to think you’re unfriendly. Of course being a bit nervous is natural. It’s totally normal. But the more you practice, the calmer you’ll become. Then you’ll settle into yourself more, get a little pattern going and it’ll be much easier. It doesn’t matter much what you say, how you say it, or what you are working on, how people react to you is almost 100% because of your body language and the feelings you have when you approach them.

                         You must be quick and be prepared. Don’t fumble with removing a lens cap, changing settings on the camera or putting down a camera bag. Remember, the best street photographers spend the majority of time immersed in society, seeking out their subject, and so should you.

October            Still Life. When most of us think of a still life photo, we generally think of a created still life where we build the entire composition–from choosing the most photogenic bowl, to what fruit to use, to how to position and light all the other elements.

                         When you walk your favorite trail and run across a fallen leaf sitting on a particularly attractive rock, that’s a still life, too. If you photograph it as is, without making any adjustments, it’s a found still life.

                         When photographing a still life subject, you are creating an image rather than capturing a moment. You are constructing your photograph; from background, to subject, to lighting. With the subject matter being inanimate objects, their tendency to stay very still allows you to take time to refine your lighting, and experiment with your composition. It’s a very pleasant way to photograph, and you don’t need any fancy gear. It’s also a great way to learn about lighting and composition, the key elements to any photographic style.

November        Play with Liquids.  [Inserted 20191106] Play with liquid and the possibilities are endless. Different colored water, paints, and oils all create interesting patterns and shapes that can easily be captured, even in small spaces. Or, get up close and macro with a single water drop. When you stop to think about how liquid reflects light and changes form, you'll see how endless the possibilities really are.

                         (The following text was incorrectly included with the "Play with Liquids" theme.  It appears to be text associated with the theme "Perspective."  When you are photographing a mundane object, you don’t need to worry about it growing tired of posing, so have fun with this project and take as much time as you need. Try different angles, lie on the ground, climb up on something, do whatever it takes to snap pictures that transform ordinary into extraordinary. For more inspiration, pay attention to other photographers when you are out at a popular attraction and observe their positions. Try mimicking their positions to see what they are seeing because even if you look odd, the great photographs you take are worth it.

December        Things Neatly Organized, or “Knolling Photography.”“Knolling photography” (Google it to find out more) involves photographing objects grouped together and arranged neatly, either parallel or at right angles to one another. The look of the resulting image can be quite clean and clinical - as opposed to a jumble of items, everything is neatly laid out.

                         The technique is very useful whenever you want to photograph a group of items, with each item clearly identifiable. Knolling is often used for sharing an image of the contents of a bag. But, of course, it can be used for other things too, such as the ingredients for a meal, clothes that form an outfit, a small book collection, or just a collection of related items you think would work well for a knolling photo.

                         Before you start laying your items out, think about the background you will lay them out on. You want something that is quite plain and does not distract from the items. Importantly, it also needs to be large enough for you to fit all the items on in a neat arrangement. Here is an example.

                         Knolling can be very useful to obtain a pleasing image when photographing a group of items that could otherwise be a bit boring. Why not give it a try, photographing the contents of your handbag, your camera bag, or the ingredients for a home-cooked dinner?

 

 


Overview • Galleries (See Galleries) • Monthly Themes • Field Trips • Speakers • Projects

 

Filed Under: Photography Club

OLLI Photo Club – Intermediate DSLR Photography

August 28, 2018 by George Bradshaw

Welcome to Intermediate DSLR Photography

Welcome to our Intermediate DSLR Photography course (F105). We’ll be meeting in the Tallwood Annex on Tuesdays from 9:40 to 11:05. This course will have a photo assignment announced each week.

In these photography sessions our primary focus will be on getting it right with a camera. The course is designed for individuals who are proficient in using their adjustable digital cameras and might like to work more on visual design. The instructor will concentrate on the elements and principles of art as they apply to photography. Attendees will complete weekly shooting assignments and present their digital (.jpg) images (preferably right out of the camera) for peer review and discussion. A shooting assignment for review during the first class will be sent in advance to all attendees.

Dan Feighery earned a BS in physics from St. Joseph’s University in Philadelphia and a master’s in public administration from Golden Gate University in San Francisco. He was the founder of the OLLI Photography Club and has taught various photography courses over the past several years. Photography has been one of his hobbies for the past seven decades

 

File Naming Convention for OPC Courses

Photo file names have the following format (note there are no “spaces” in the file name):

.....LastnameFirstinitial-PhotoID  (Format for this Course)

Examples:

.....SmithJ-Unique_Title.jpg

.....SmithJ-Beautiful_Trees.jpg

.....SmithJ-Beautiful_Trees_1.jpg
.....SmithJ-Beautiful_Trees_2.jpg

.....SmithJ-Beautiful_Trees-IMG_1234.jpg
.....SmithJ-Beautiful_Trees-IMG_1235.jpg

Other Formats:

.....IMG_1234.jpg
.....IMG_1234-Edit-1.jpg
.....yyyymmdd-hhmmss.jpg

 

Notes:

The “.jpg” suffix is normally appended by your PC’s software. “PhotoID” is required to distinguish among multiple photos.

The file name contains no "spaces." "Hyphens" are used to separate fields. Elements within fields may be separated by the underscore character (_), for example, some camera systems use special characters such as the underscore for file names.  All other characters are alpha-numeric.

In the examples above, the file name with the PhotoID of "Unique_Title" could be as simple as

.....SmithJ-Beautiful_Trees.jpg;

however, if there are two photos of trees the PhotoIDs must be unique, such as

.....Beautiful_Trees_1 and Beautiful_Trees_2.

This is the method which may be used in the camera course.

The last three examples, just for information, are other typical file naming formats designed to ensure uniqueness of file names, the first being a camera-generated filename, the second indicating the existence of an external photo “editor” such as PhotoShop, and the third a date and time.

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Uploading Instructions for OPC Courses

  1. Create a JPEG (.jpg or .jpeg) photo named according to the "File Naming Convention"specified for the gallery. Note: Depending upon your workflow, you may not want to change the name of an original JPEG file; in this case, change the name of a copy of the original file.
  2. Enter the "upload link" into your browserto show the OPC’s "Upload to ‘Gallery’ ” window. Note: the upload link to the “Sandbox” gallery used for practicing the upload process is https://olliphotoclubgmu.smugmug.com/upload/ZW2n5D/s0.  You will receive an upload link to the upload gallery for each session of the course in an email.
  3. Drag and drop your photo file(s) into the windowusing the file manager of your PC:
    1. in Microsoft Windows, the file manager is File Explorer;
    2. in Apple macOS, the file manager is Finder.
  4. Wait until the upload completesand click the "Done" button.
  5. View your imagesat the appropriate OPC gallery. For example, this course's galleries are maintained at the OPC photo repository (https://olliphotoclubgmu.smugmug.com); the galleries can be found via the following menu sequence:

..........> Galleries
..........> Special
..........> OLLI Courses
..........> "Name of Course"

..........The practice gallery, for example, is then found at this menu item:

..........> "Course name abbreviation" Sandbox (e.g., "GRC Sandbox" or "DCF Sandbox")

 

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Filed Under: OPC Courses, Photography Club

OLLI Photo Club – Technical Q&A

May 10, 2018 by George Bradshaw

Overview • Galleries (See Galleries) • Monthly Themes • Field Trips • Speakers • Projects


 

 

Subject

Q&A

iPhone Photo Size Q: For iPhones, how can one export a full-sized image suitable for uploading to the OPC photo repository for competitions, field trips, etc.?
A: See "Exporting iPhone photos in maximum (actual) resolution" courtesy of Bob Baker.
Apple PC File Rename Q: For Apple PCs, how does one rename image files to reflect OPC file naming conventions?
A: TBD
Cropped Prints Q: Why are there cut-off or missing pixels in my print?
A: Crops of a photo that were made in a free form manner, instead of using a standard crop ratio that more closely approximates the chosen photo paper size, may cause loss of parts of the image when printed.  Also, because camera sensors have different fixed aspect ratios, an image which appears well proportioned while taking a photo may become smaller when printed by a lab or on a home printer.

Reference: Check the "Aspect Ratio Print Chart" (reproduced with permission from Anthony Morganti) before cropping in Lightroom, Photoshop, or other photo editor.

Here is a link to an instructional video: https://onlinephotographytraining.com/2019/10/19/top-3-things-people-do-wrong-in-lightroom/

Article courtesy Ed Marion.

Photoshop Snow and Starbursts
Q: Can Photoshop insert snow and starbursts into my images?
A: Photoshop has two tools, actions and brushes, that can be customized to simplify image editing and to provide many specific functions.  This article describes the insertion of snow and starbursts into images using these tools.

Snow.  Gavin Hoey describes how to download and install into PhotoShop free action files to generate snow in any image.  See his web page,  "Instant Snow V2."  There are four action scripts to add varying amounts of  falling snow.

Starburst.  John Adams offers a video detailing how to create a starburst effect in PhotoShop using brushes.  The video demonstrates how to load and  position starbursts,  and how to adjust both the size and opacity of the starburst layers.

To make the process easier,  the downloadable PhotoShop starburst brush file contains a variation of a 8, 16, and 32 point starburst brush presets, created following steps shown in the video.  The brush contains a few improvements: some arms were shortened and others lengthened for a more natural appearing starburst.

Article courtesy Ed Marion.

Change Image's Filename on iPad Q: How does one change an image's filename on an iPad?
A: See step-by-step instructions in the pdf titled "Changing Filename on an iPad."

Context: This instruction relies upon the app called "Files." Prior to the release of "Files," changing file names on an iPad required the iCloud Drive app which was "hidden" by default; use of the iCloud Drive app required "enabling" it through the setup menu.  The Files app, with stable release 1.3.3, is not hidden and has been available since September 2019 on the operating systems iOS 11 and later, and iPadOS (Files (Apple)).

 Next Subject Q:
A:

 

 

 

 


Overview • Galleries (See Galleries) • Monthly Themes • Field Trips • Speakers • Projects

 

 

Filed Under: Photography Club

OLLI Photo Club - Administrator's Guide

January 15, 2018 by George Bradshaw

Purpose: The Administrator's Guide has two purposes: 1) to ensure a consistent look and feel across the OLLI Photo Club's web pages within the OLLI GMU WordPress system and 2) to ensure that the look and feel supports the Club's policies as described in the Overview.

Contents: At this time, January 2018, this guide contains a list of items describing web site layout, use of the menu bar, page titling, etc.


 

Item Description
Page Title All page titles shall be of the form "OLLI Photo Club - Title"
Menu Bar Definitions The following definitions apply to Menu Bar Policy:

Types of activities: routine functions and exhibitions.

Routine functions identified in the club’s Overview include monthly themes, speakers, field trips, and peer reviews.

Exhibitions have included themed exhibitions in the OLLI annex, community documentaries such as the 275th Fairfax County Anniversary’s “Then and Now” exhibit, drama shoots for the GMU School of Theater, and other special event coverage.

Methods of communication: periodic emails, gallery comments, photography blog, Facebook group and (TBD) club news.

Collective category: User Interface (UI) design uses the terms menu and sub-menu for navigating through human-machine interactions.  For the purposes of these definitions, a collective category is a Club-specific set of similar activities specified in a sub-menu.

Menu Bar Policy The number of links on the menu bar shall be kept to a minimum.

Links on the menu bar shall lead to pages for either 1) routine functions of the Club or 2) collective categories with further links to pages of the Club's exhibitions or other activities.  A link on the menu bar shall also exist for the Club’s digital galleries, given their significance in supporting these activities.

Should the club decide to formalize its communications through the OLLI GMU WordPress system (for example, a “news” page), a new item shall be added to the menu bar as a collective category; this will be a collective category rather than a "routine function" since the club already has several methods of communication: the Critique galleries, the Photography blog and the Facebook group.

Menu Bar Position All pages shall have a menu bar at the top and bottom of the page.
Menu Bar Format Menu bar links shall be separated from each other by five characters: two spaces, one bullet and two spaces.  The top menu bar shall have a horizontal line beneath it (<hr/>) followed by two blank lines.  The bottom menu shall have a horizontal line above it preceded by two blank lines.
Menu Bar: Link Format Definition: an active link is one which will initiate calling a new page, an inactive link initiates no function.

Each link associated with a "routine function" (see Menu Bar Definitions above) shall be inactive on its own page and active on other pages.  The rationale is that an inactive link provides the user a navigational aid that provides an additional clue as to his current page.

Each link associated with a "collective category" (see Menu Bar Definitions above) shall similarly be inactive on its own page and active on other pages.  Note, however, that on pages for Club activities which have been reached through a collective category, the link will always be active.  The rationale is that such a page, even though acting as an extension of the sub-menu (the collective category page) in a navigation scheme, it is still a standalone page but without a first level menu link; thus the page has no ability to aid in navigation.  Of course this is a limitation, so the collective category page must be clearly structured so the user can always properly navigate from it to other pages.  The user must become accustomed to returning to the collective category page when other navigational references are not available.

Note on collective category links.  Currently only one collective category link exists: Projects.  The policy shall be that the OLLI Photo Club's web pages shall have more than one collective category link if and only if all such links are clearly distinguishable by all members without need for explanation, such as an Admin collective, Project collective or a Communications collective.

Menu Bar: Link Operation Links shall open in the same browser window (or tab) as the calling page except if the link is to a page outside the OLLI GMU WordPress system, in which case the link shall open in a new browser window (or tab).
Table Usage In addition to typical uses of tables, the table function supports paragraph outdenting.
Colored Text The OLLI GMU WordPress system has been configured with pages containing white backgrounds.  Blue on white is one of the most effective combinations for attracting attention, more so than bold black on white.  Avoid red text, especially on a black background, because the colorblind will see it as black on white (losing the emphasis) or black on black.  Never use red on blue or blue on red - the greatly different wave lengths of these colors in combination will cause humans to perceive blurring on the edge of letters.
Link to Location within Page Enter an id into an empty div HTML element.  The id, in this case, "link-target," becomes the hash portion of the base url.  Note that some browsers don't position precisely, I've added a period after the div element as shown here:

<div id="link-target"></div>
.

Call the link-target position in page1 from an external page as follows:

https://site.com/page1#link-target

Images in a Row Normal caption insertion doesn't work in WordPress: there is no way (perhaps without extensive CSS) to place a carriage return (<p>, <br>, etc.) after the inserted images because WordPress deletes these codes in the visual editor.  A solution of placing the images into a 1x1 table doesn't work because the images are not aligned horizontally.  One solution is to place the captions into separate columns of a single table row (nx1 where n>1).  However, word wrap around the table must be considered; to avoid wrap, enter width=100%.  A template follows.

<table style="width: 100%;">
<tbody>
<tr>

<td style="width: 208.567px;">

</td>

<td style="width: 208.567px;">

</td>

<td style="width: 208.567px;">

</td>

</tr>
</tbody>
</table>

To then place blank lines below the table, use the "visual" editor because the visual editor strips blank lines that are inserted via the "text" editor.

 

 

Filed Under: Photography Club

OLLI Photo Club - Facebook Group

January 14, 2018 by George Bradshaw

Overview • Galleries (See Galleries) • Monthly Themes • Field Trips • Speakers • Projects


 

This private Facebook group is specifically for members of the OLLI Photo Club (OPC) -- associated with the Osher Lifelong Learning Institute affiliated with George Mason University. The OPC welcomes all OLLI members, whether they use a basic camera or specialized equipment, whether they are new to photography or have had many years of experience. This Facebook group is intended to serve as a resource for OPC members to share useful photography information with other members who are "on Facebook" -- or who wish to learn about the value of Facebook as an easy-to-use resource for posting and viewing videos, photo tips, photographs, upcoming events, questions (and answers), and links to useful photography websites.  If interested, please request being added to this Facebook group at any OPC meeting, and the group administrator will invite you to join. Or you may send an email request to the administrator Bob Baker at [email protected].

Access the OPC Facebook Group at https://www.facebook.com/groups/OLLIPhotoClub/ .

Note: The above link will work once you have been added to the Group membership roster.

 

 

 


Overview • Galleries (See Galleries) • Monthly Themes • Field Trips • Speakers • Projects

 

Filed Under: Photography Club

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